The Scarlet Letter By Jean Paul - 1373 Words

Emotions play a huge role in our lives. They control how we go about our day and feel toward loved ones. They influence our morals and ethics; they govern our worlds. How we feel dictates our outlook on the world. When one is sad and lonely, society, to him or her, is no longer sympathetic; life is hopeless and empty. â€Å"Like thunderclouds, in the distance they look black, over our heads scarcely gray,† says famous German Romantic writer Jean Paul. In addition, our emotions control our physical appearances, portraying, to the world, how we feel inside. For example, Arthur Dimmesdale from The Scarlet Letter looked â€Å"thin and white-cheeked† (183) when he felt guilty for his lustful sin. In fact, The Scarlet Letter clearly portrays how the emotions of its characters influence their perspectives and appearances, which is similarly represented in our lives today. The famous saying â€Å"actions speak louder than words† is true because our emotions are shown through our physical appearances. Our appearances allow emotions to be expressed. Arthur Dimmesdale is a very significant character regarding emotions and his appearance. His feelings seem to resonate when he acts and talks. His sermons, especially, portray his passion and excitement. According to the townspeople’s united testimony, â€Å"never had man spoken so wise, so high, and so holy a spirit†¦nor had inspiration ever breathed mortal lips more evidently† (203). In our world today, when someone is happy, they lookShow MoreRelatedBelonging Essay4112 Words   |  17 Pagesfall apart AF Ali, Monica Brick Lane AF YA http://www.themanbookerprize.com/search Alcott, Louisa May Little women JF Anderson, Laurie Twisted YA Anderson, M.T The astonishing life of Octavian nothing YA Atwood, Margaret The handmaid’s tale AF Auel, Jean Clan of the cave bear AF Baranay, Inez Pagan SF Barrie, J.M. Peter Pan JF Binchy, Maeve Circle of friends AF Boyne, John, The boy in the striped pyjamas AF YA Braithwaite, E.R. To sir with love SF YA Brashares, Ann Sisterhood of the travellingRead More An Analysis of Hawthorne’s My Kinsman, Major Molineux Essay3946 Words   |  16 Pagesunderstand his own reality in the absence of clear-cut facts. He wavers continuously between fantasy and reality. Hawthorne believed this ambiguity to be necessary to the writing of Romantic fiction. In â€Å"The Custom House,† the preface to The Scarlet Letter, he states that he was striving to achieve a â€Å"neutral territory, somewhere between the real world and fairly-land, where the Actual and the Imaginary may meet, and each imbue itself with the nature of the other† (quoted in Hutton 94). In â€Å"MajorRead MoreNatural Dyes11205 Words   |  45 Pagespinks * 3.2 Oranges * 3.3 Yellows * 3.4 Greens * 3.5 Blues * 3.6 Purples * 3.7 Browns * 3.8 Greys and blacks * 3.9 Lichen * 3.10 Fungi * 4 Luxury dyestuffs * 4.1 Royal purple * 4.2 Crimson and scarlet * 4.3 The rise of formal black * 5 Decline and rediscovery * 6 Notes * 7 References * 8 External links | [edit] Origins Colors in the ruddy range of reds, browns, and oranges are the first attested colors in a number of ancient textileRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 Pagespresence of motion. In his book Le Cinà ©ma et le temps.11 Jean Leirens develops a theory that, in the cinema, identification—closely linked to the impression of reality—may be in some ways a negative phenomenon. He supports this with Rosenkrantz s famous distinction12 between the character in the theater, who is an object of dissociation, and the film character, who is an object of identification. For his part, the French dramatist Jean Giraudoux 13 writes that in the theater one presents the